28 October 2012

Week 44: 'Although it's entirely made of chopped-up guns...'

Wonder spawned in: 2001
Wondered into being by: Cristóvão Canhavato in Mozambique
Wonderspan: 14 min
To experience this wonder at its best: Make sure you can hear the sound.

This week's Monday wonder is brought to us in an episode from Neil Macgregor's radio documentary series, A History of the World in 100 Objects.  It's the story of how people in Mozambique have been turning weapons into art as a symbolic challenge to war all over the world.  The programme's artefect is The Throne of Weapons - a 'throne' made of dismantled guns.  Personally, I don't particularly like the object as art.  The wonder in it, for me, is how well it represents the struggle of people, who have no extraordinary power other than their own humanity, to overcome the conditions of violence and domination which beset societies all over the world.  I wonder how many of the guns in the throne of weapons were made by British arms manufacturers like BAE Systems, which prides itself on selling the means to wage war to countries all over the world. (See the Campaign Against Arms Trade site for more and to join the campaign to stop UK arms exports).

Extra...

Another episode from A History of the World discusses the extraordinary consequences and historical significance of a single technological innovation: the solar panel.  I'm sceptical of the programme's unalloyed optimism based on the potential of technology alone, rather than changes in hearts and minds, to take us through the global emergency that is climate change.  All the same, the wonder for me is in pondering the changes we are going through as a species as a result of this technology.  The programme shows with Neil Macgregor's characteristic eloquence why the invention of the solar panel alone can invite us to wonder about our relationship to the sun as a source of life and, just as we think we know where our human story is going, change everything all over again, just as did the first ever chopping tool, or the plough, or indeed the gun.
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www.waysofloving.com

21 October 2012

week 43: They say it's better than chocolate

Wonder spawned in: Right now
Wondered into being by: You
Wonderspan: About 10 minutes (OK, a bit more again, sorry) plus a bit of your lunch break

Thank you for following the Monday morning wonders this far – there are only a few left before the end of the year.  Today's is a biggie with plenty of frilly extras at the end and, what's more, it's interactive too.

Today, if you’re game, wonder-lovers all over the world will be going out into the streets to carry out some important research together.  First, let’s set the scene.  It’s Monday morning and Joe Bloggs is on his or her androgynous way to work or school.  For reasons all of Joe’s own, he or she does something for just a few seconds which:
  • gives more pleasure and joy in the moment than does eating chocolate or being given a lot of money
  • reduces stress instantly and increases life expectancy
  • is highly contagious, causing others to benefit in similar ways to Joe
  • makes Joe look better and appear more competent and attractive (mmmm…)
  • costs nothing and takes no effort
  • and is the first of about 20 or more times (s)he will do this today.
So, what is the thing that Joe Bloggs does?  The answer, wonder-lovers, is smile.

The smile is this Monday's wonderful thing.  It's culturally universal, even among disparate peoples who have never made any contact with one another.  A warm smile signals feelings of joy and pleasure, while causing the same in not only the smiler but also the smiled-to.  It is a way for pleasure, love or joy to share itself around – a bag of soul-sweeties passed about to whomever happens to be nearby.

The benefits of smiling are many, not least in stimulating the pleasure centres of the brain.  Smiling evangelist Ron Gutman claims (rather implausibly but let’s say convincingly) that, in terms of how effectively smiling releases endorphins, just one high-quality smile is equivalent to eating 2,000 bars of chocolate or receiving £16,000 in cash.  Your smile also reduces stress hormones like cortisol and adrenaline.  Studies show that if you’re smiling for real then people will find you more beautiful.  (Whatever capitalism can sell you to make other people like you more – your fancy car, a cupboard full of make-up, a nip and a tuck, a cool office tie – none of this can substitute for just looking happy.)

Smiling even does a little bit – maybe a lot – to change the world, on account of its vectors of contagion.  When smiles are shared, good feeling becomes a social force, whose common existential 'yes’ might, perhaps, displace a little of the bitterness and resentment that is often expressed through violence.  It’s even very difficult for other people to frown at you when you’re smiling for real (although denying someone their freedom to dislike you can be understandably annoying for them, to the point of seeming unfair).

Ah but… surely we need to feel happy in order to smile for real, no?  No indeed.  There are fakes, of course, about which more in a moment, but pretending to smile is not the same as choosing to do it.  It’s just a matter, I think, of finding a part of yourself that wants to smile.  If you enjoy the time of the season, for example (and autumn is radiant at the moment) or you think it’s funny the way pigeons walk, then that might be grounds enough for a smile, even if you also have good reasons elsewhere to feel stressed or unhappy.  The Buddhist monk Thich Nhat Hanh is a great advocate of choosing to smile.  Even when you’re in pain of any kind, he says, try smiling into the pain just to see if that helps, for the smile might transform it (or compost it, as he suggests) into something useful and creative.  By choosing to smile you still enjoy its chocolaty charge; scientists tell us that if you successfully smile at will you’ll still stimulate the endorphins in your brain.

We don’t have to be melting with euphoria in order to smile genuinely – most of our smiles are gentle affairs, moments of quiet contentment in the rhythm of each day.  That said, if you really can’t find something to enjoy, choosing to smile is bound to be a tricky proposition.  There are about 14% of people who on any given Monday smile less than five times, says Ron Gutman, when as a child they would have filled each waking hour with 25 smiles.  I wonder what it is we lose from our childhood.  Kids smile because they’re excited about stuff, that’s all, so why do we become less excited as adults?  Is that necessary or just something we allow to happen?  Answers on a postcard.

What about those fake smiles, then?  It turns out we’re pretty good at doing them and we’re not so good at spotting them in others but – read on – I will tell you how.  The other day I did a test on the BBC website to see how good I was at spotting fake smiles and my performance was appalling, but I now have a couple of tricks up my sleeve which I don’t mind sharing with you.

There are two ways to tell a real smile from a forgery.  The first method is slightly weird but it works.  If someone smiles at you and it’s for real, you will feel yourself smile in turn; if it’s a fake, you won’t.  So if someone smiles at you and you feel yourself involuntarily smile back, then there’s a good chance they really mean it.  If you think, 'Ah, I suppose I'd better smile back' then the chances are they're faking it (although they might be faking it just to let you know they like you).  You can stop this method from working by putting a pencil across your mouth so you can't smile.  It’s then harder (so scientists say) to tell genuine from fake smiles because without the use of your mouth you've lost their natural smiling reflex.

The second way of telling if a smile is real is to look to see if their eyes are smiling.  In the 19th century, a chap called Duchenne hooked people’s faces up to wires and switched on the current.  It wasn't pretty but he did discover that genuine smiles engage muscles around the eyes – the obicularis occuli – which are very difficult to flex at will.  When a real smile (also called a Duchenne smile) puts this little muscle to use, skin around the eyes scrunches up; if you smile a lot you’ll get ‘crow’s feet’ wrinkles – the hallmark of a veteran smiler.  You can see this effect in this fellow, whose Job Description says, at the top, 'To smile at people and tug their beards with affection.'  He’s smiled so much that he has the fittest facial muscles in the world (probably). His face is so wrinkled with smile lines that it looks like a wet paper bag after a storm, but in a good way – the sort of way that makes you feel safe to give him a hug or let him carry your children across a precipice.

But then compare His Holiness with this chap and that chap.  It's obviously unfair to to compare the Dalai Lama with Tory politicians having a bad day, it's maybe even ghoulish, but there’s a lesson there somewhere.  Politicians of all Parties smile a lot but not many have crow's feet; what's wrong with this picture, wonder-lovers?

Aptly for a Monday wonder, the word ‘smile’ comes from the ancient Proto-Indo-European root smei, which also gave birth to the Latin word mirus, meaning ‘wonderful’ (the idea is, it seems, that you know a wonder by your own smile at beholding it).  Mirus also gives us 'miracle', which was originally held to be any sign or powerful event inspiring smiles of astonished wonder.  (The meaning of 'miracle' was not limited to an act of God; it could be anything worthy of wonder; 'worthy of wonder' is the meaning of the name Miranda, from the same root).  It's also noteworthy that the word 'to smile' in many languages was based on the word 'to laugh', such that a smile is deemed to be on a continuum with laughing, as a 'small laugh'.

Fascinating, I know, but let's move on and get to today’s way of loving.  Comrades: we act together today for the sake of our collective wellbeing as a species.  Your mission, should you choose to accept it, is to measure the extent of the world’s smile, right from your local street.  This is how to carry out your research...  Stand in one spot or walk about one area.  Look at people passing by.  Watch people.  For every person who's smiling, count a 1 on one side of your notebook/back of old tissue; for everyone who isn't, count a 1 on the other side.  If someone looks vacant don't lose heart; just smile to them and mean it and you'll feel better again; they might, too.  If you like, you can count shy smiles double, or lovers’ smiles half, or people smiling on their own five points – it’s up to you, just make sure it's not too scientific.  When you’re done, generate the Smile Quotient score for your area by dividing the number of smiling people by the total number of people you've looked at.  Report the SQ score and location, together with an explanation of your methods, in a comment on the blog or send it to me at justplaindavid@waysofloving.com.  I will add it to the Ways of Loving World Map so that the international community can take action accordingly.  (To see the world map, go to Google Maps and search for ‘ways of loving’.)  And by averaging the scores we can also create a SQ quotient for the entire world for the first time.  Be part of this pioneering endeavour.

I started us off yesterday in St Pancras Station.  I counted 500 people (I'm thorough), of which 56 were smiling; only one of the smilers was on his own at the time.  I managed to elicit a smile from one person by smiling to them with my obicularis occuli; I like to think we both benefited as we beamed at each other.  Anyway, 56/500 is 11.2%, which I think is probably quite low on the scale between zingzingzing at the top and totally vacant at the bottom - maybe about here.

To support you in this important work for worldwide wellbeing, I have created this smiling taxonomy:
  • Overwhelmed smile, combined with crying, nearly pulls your poor face apart, aches for hours afterwards then tingles as if new.
  • Pan Am smile, 100% genuine fake smile, characterised by pure indifference presented as affection, performed with aplomb by air hostesses on Pan Am flights in the 1980s, consumer-capitalism’s very own archetype.
  • Sensuous smile, half-formed, faltering as if interrupted, sometimes with shiver.
  • Embarrassed smile, like embarrassed laughter, nothing to do with pleasure or humour, just embarrassment, strictly speaking a grimace, not to be confused with a smile.
  • Smiling because you're in love: smile has conquered face and now creeps towards total domination of the whole body; indelible for the time being, sometimes mesmeric, persists during air raids and other calamities.
  • Ingratiating smile, usually comes to you overdone to burnt, for ‘Please like me’, ‘I’m harmless’, ‘I’m still your friend’, ‘Hello I’m a politician’, or all of the above.
  • Cruel smile, hedonistic, combines pleasure with sinister desire, sometimes collapses into sneer, ugly.
  • Easy smile, just because right now you feel happy/loved/free, 'Woke up this morning / Smiled at the rising sun / Three little birds / Right by my doorstep...'.
  • Imperial smile, the Queen's, the Pope's, The Emperor Ming's, often weary with the universe, sometimes on one side the face only while other side asks, ‘Why me?’
  • Just-about-to-fall-in-love smile, big smile, eyes wide with fear.
  • Triumphal smile, best with a roar.
  • Excited smile, children do it best and often, there's a Bollywood bhangra dancer inside your face, wide eyes ready to eat up whatever’s next.
  • Botox smile, a smile that’s been taken away.
  • Buddha smile, particularly free, existence is hilarious and you've stopped worrying.
  • Shy smile, wants to come over but isn’t sure it’s safe, a smile that locks itself up and peeps out the window just for you.
  • Volcano smile, though you do your best to stop it, it erupts all over your face.
  • Mannequin smile, affliction caused by surgically dragging folds of skin towards the back of the head and stitching them there for good.
  • Aura smile, surrounds people who have beautiful souls, who smile without even smiling.
Can you think of any more?

Thanks to Femi H for proposing smiles as a wonder for a Monday morning, and for telling me about the smile spies, which is where the smile-counting idea comes from.

Extra…

Here's a wonderful modern-day fairy tale about a smile, complete with cheesy ending:
This is what happens if you smile too much (this is amazing):
In suggesting her Monday wonder, Femi said we shouldn't forget crying either (perhaps especially in a society where you're allowed to laugh and smile and not really allowed to cry in public).  That reminded me of this Les Murray poem, 'An Absolutely Ordinary Rainbow', which would be good to read out in Leicester Square, George Square, Times Square...
Here's Ron Gutman evangelising the smile:
And finally:
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www.waysofloving.com

14 October 2012

Week 42: 'It is enriched by all things that ... enter into it.'

Wonder spawned in: Really a very long time ago
Wondered into being by: Weirdness
Wonderspan: Probably more than 10 minutes this week

Would you like to guess what this is?  www.waysofloving.com/4.jpg

Is it:
  1. a rainforest
  2. the sea bed
  3. art
  4. soil
The answer is that it’s soil - good compost, in fact.  Let’s begin today’s adventure with a few stunning characteristics of this amazing stuff:
  • An inch of fertile soil takes 500 to 1000 years to form in Nature’s own time.
  • Just one gram of certain soils contains up to one million species of microbes (that’s not one million microbes, but one million species of microbes, most of which are still unknown)
  • A cubic inch of fertile soil can contain eight miles of microscopic fungal threads called mycelia.  That's eight miles, one cubic inch.
  • Soil is an ecosystem in its own right – indeed it is the most abundant ecosystem on Earth.
  • Soil is alive in the same sense as a forest is; it balances itself, evolves, physically churns and enriches itself; it even breathes.
  • The soil's ecosystem is part of the larger ecosystem above it; the whole evolves together, so the qualities of a soil will change with the plant life that belongs to it from lichens to mosses, grasses, shrubs, and finally forest.  Plant roots, soil-dwelling organisms and the microclimate all combine to condition the qualities of the earth, enriching and preparing it for the next stage of the ecosystem’s evolution.
  • Soil is fragile.  Tilling beats it to death; remove plants from it and blows away as dust or washes into the sea; it suffocates when you pave it over.  In the 30 years to 1991 the world lost 30% of its topsoil to overgrazing, intensive agriculture, deforestation and urban sprawl.
Perhaps most of us associate soil with dirt: bland, brownish, inert, and noticed only when it stains clothes or gets under our fingernails, but it is extremely complex and subtly responsive as only a richly diverse, living unity could be.  Lying always right beneath our feet, soil is the very ground of our lives, from which we came and to which we will return.  It's something to reflect on next time you get muddy knees.

The sense of earth or soil as a source of life, rather than just as muck,  is appreciable in how these words have come to us.  ‘Earth’ is a very old word, whose root er – from the ancient Indo-European family of languages –  means both ‘soil’, as in the stuff we’re talking about, and ‘ground’, as in the foundation of things.  ‘Ground’ is also an old word, originally meaning ‘the bottom’, from the Proto-Germanic root grundus, ‘deep place’.  ‘Soil’ is a later word; it carries the same meanings as ‘earth’ but did not become associated negatively with ‘dirt’ until the 15th century, which (I wonder) might be when society became preoccupied with physical cleanliness.

So soil, our grundus, combines bits of ground-up rock, dead animals and plants, animal life (from bacteria through microbes to invertebrates), plant life (including fungi and rooting plants), air, and water, all forming part of a delicate, dynamically balanced system that knows what it's doing.  It is a world all of itself and yet, once you start thinking of soil in this way it becomes obvious that we have very few words, outside the soil sciences, with which to explore it.  Perhaps that’s good, if it means we rely on more symbolic, poetic language to experience it with.  Virgil, for example, talked of ‘the genius of soils’, each with its own strength, ‘… its hue, its native power for bearing’.  I can’t think of any other source of nourishment which must be alive and well in order to nourish; apart, that is, from mothers.

I know little about soil but from the depth of my growing love of it, I find myself suggesting that it has personalities and moods.  Some whole cultures have done the same.  Surveying differences in cultural attitudes to soil, Rebecca Lines-Kelly found societies which described soils as ‘lazy’, ‘needy’, ‘melting’, ‘fruity’, ‘fat’, ‘hot’ and ‘weak’.  Also turning to creative language, the poet and farmer Wendell Berry has written without exaggeration that soil
‘is the great connector of lives, the source and destination of all.  It is the healer and restorer and resurrector, by which disease passes into health, age into youth, death into life.  Without proper care for it we can have no community, because without proper care for it we can have no life.’
‘[Topsoil] increases by experience,’ he says, ‘by the passage of seasons over it, growth rising out of it and returning to it, not by ambition or aggressiveness. It is enriched by all things that die and enter into it. It keeps the past, not as history or as memory, but as richness, new possibility. Its fertility is always building up out of death into promise.’ 
These are holy qualities, suggests Wendell Berry, even ‘Christ-like’.

What can this mean for agriculture?  If soil is a living thing and must be well in order to nourish plants, then good agriculture surely has to serve the soil as an end in itself.  This is entirely different from treating the soil only as a means to an end, in which we imagine it to be an inert source of food for crops.  Rather, healthy soil must be respected and nourished; it has needs, being full of fungi, bacteria and microbes.  In these things lies its wealth, but all can easily die if we unbalance or abuse the soil.  The only possible good relationship with soil is a mutual one, in which we honour it by allowing it to sustain itself and it honours us, in turn, to exactly the same end.  ‘To be responsible to the soil is to respond to its gift with our own’, writes William Bryant Logan.  The soil is our honest lover; when we cheat the soil, we cheat ourselves.  But it must be difficult to honour the processes and needs of soil if you are a farmer under pressure from supermarkets to sell produce more and more cheaply.  We think food is cheap at Tesco but the full cost is being paid by the earth.

Being a lover of soil, it seems, takes work and time.  It leaves no place for gimmicks that help us to cheat – that is, enable us to make the soil do something it doesn’t want to do.  Soil doesn’t want monocrops, which kill it, and does want rest after each harvest so that it has time to re-enrich itself.  Soil probably doesn’t want to make garden lawns either, if only because soil has an adventurous spirit.  There’s some stuff for lawns called Miracle Gro Patch Magic, made by multinational manufacturer Scott’s (also the distributor of Monsanto’s notorious Roundup).  It promises to make grass grow where it wouldn’t before. ‘Grass is guaranteed to grow anywhere, even on concrete’, is the rather daft claim.  Clearly, this stuff tries to rule the soil rather than work with it, but the soil is bound to have its way in the end because there’s a reason grass isn’t growing in the shade of a tree, under a swing, or on concrete!

www.youtube.com/watch?v=uT9IogbCl84 (not a wonder but mercifully short)

This stuff is ‘magic’, in that it produces an effect without us knowing how, but it’s a terrible misappropriation of the word ‘miracle’; the thing with miracles is that you can’t make them happen, they are given.

The Miracle Gro gunkathon is symptomatic of a disconnection between humankind and the way the Earth works, which is leading to a massive loss of soil.  We’re running out.  It has taken Nature millions of years to enrobe the Earth with a thin covering of fertility, and humankind a few decades to kill off a third of it.  Deforestation, intensive agriculture including over-grazing, and the spread of urban environments are the drivers of this problem, but leading all of these is humankind’s general disconnection with (that is, a lack of feeling a mutual relationship with) the processes that give life and sustain it.  This violence to the Earth does violence also to ourselves, for the soil is our grundus, the deep place upon which our being depends.  Bob Kerrey has put it like this: ‘If you run out of water, you pray for rain.  If you run out of soil, you pray for forgiveness.’

We might imagine that topsoil loss is a recent problem, beginning perhaps with the industrial revolution and continuing with today's aggressively consumer-capitalist economic system, in which the health of soil is hardly likely to be a consideration.  In fact, although these forces have accelerated the degradation of our soils, the losses began much earlier.  Rebecca Lines-Kelly has found that writers in many older cultures have warned of the loss of soil due to self-centred human practices.  She picks up Critias in Plato’s Dialogues, who says of once-lushly-forested Greece:
‘What now remains of the formerly rich land is like the skeleton of a sick man, with all the fat and soft earth having wasted away and only the bare framework remaining. Formerly, many of the mountains were arable. The plains that were full of rich soil are now marshes. Hills that were once covered with forests and produced abundant pasture now produce only food for bees.  Once the land was enriched by yearly rains, which were not lost, as they are now by flowing from bare land into the sea. The soil was deep, it absorbed, and kept the water in the loamy soil, and the water that soaked into the hills fed springs and running streams everywhere. Now the abandoned shrines at spots where formerly there were springs attest that our description of the land is true.’
Critias appears to be using soil as an allegory of a society’s decline, but really the situation he describes is more concrete and immediate than that: yes, you can use the degradation of soil to allude to a society’s decline, but also to measure it.

Having wondered at soil as mother and then as lover, can we also appreciate it as teacher?  I would say that I can draw three lessons from it, but perhaps it is in better keeping with the nature of soil to say that it offers these lessons up.  They might be lessons for everyone, or perhaps mainly for us Westerners, a people as we are of two halves: ravenously curious, adaptable, iconoclastic and irrepressibly hopeful on the one hand, while patriarchal, capitalist-consumerist, self-aggrandising, and spiritually rather lost on the other.  (Yes, it's a sweeping generalisation but not an entirely wayward one.)  If soil really does tell us something about being, then perhaps it is something like this:
  1. Being belongs to being; when we chop it into chunks, either physically or in our (lack of) imagination, we damage it and ourselves as part of it.  In our being, we belong to soil, soil belongs to us; not as a possession belongs, which is where violation begins, but as lovers belong.
  2. Being rises and falls in the patience of its own time.  If Nature takes a million years for some part of its being to develop, Nature is content to wait, and yet during its waiting is not undeveloped, for it is sufficient to be how it is.  Nature does not need superchargers, which would hurt Nature and the part of it we call ‘us’.
  3. Being and beings are always an end in themselves, of worth in themselves.  Being has utility too, but if we encounter a soil, a person, a culture, and see only utility, then we have not seen the thing for what it is.  Being calls us out into mutual relationship; this is nonviolence.

I am extremely excited by the epiphany that soil is alive.  Even in some imaginary hard-headed world where the only illumination came from the freezing-cold light of reason, soil ticks every ‘I am alive’ box that science has come up with (or had done when I was doing by Biology GCSE, anyway).  That is, soil moves, excretes, reproduces, respires, responds to stimuli, feeds and grows.  In my day that was all you needed to be counted alive.

A secret life of soil: fungi

Now, let us dive into soil to wonder at one of its many secret lives: that of the fungi.  This might blow your mind so I recommend holding onto your head tightly with both hands.  Before that, let’s just enjoy just a few of the most lyrically beautiful words that mycologists (mushroom experts) get to shout out and enjoy every day:
  • Sporangium – a structure on a fungal body which releases spores
  • Hypha – a filament forming the basic structures of a fungus)
  • Mycelium – mass of hyphae forming the main body of a fungus in its medium, such as soil
  • Flagella – a structure that allows some micro-organisms to swim
  • Antheridium – part of the reproductive mechanism of fungi
  • Oogonium (pronounced oh-oh-gonium) – another part of the reproductive apparatus.
  • Nematode – a tiny worm eaten by some fungi
  • Caenosytic – a cell having more than one nucleus
  • Aflatoxin – a toxic compound produced by certain fungi
And there are many more but we only have a few minutes, sadly.

A bit of background, then: the first fungi evolved before plants over a billion years ago; we know about 200,000 species of fungi but there are about 1½ million out there somewhere and 1,000 new ones are discovered each year.  One of the very mad things about fungi is that the thing we call a mushroom is just a tiny part of the organism.  It's the bit that appears as the fungus sticks itself above ground for a few days to reproduce.  For most of the time the fungus is completely hidden; it consists of long filamentous strings called hyphae, which net together to form a mycelium, stretching through the soil for many yards or even miles.  The biggest mycelium in the world is two millennia old and 34 square miles in size, making it (in terms of area occupied) the largest living thing ever known.  34 square miles – how big is that?  Coventry.  It's older than that city, though.

Fungi are slightly spooky in that they are more closely related to animals than are plants, or indeed any other kingdom of living things.  There are so many biochemical similarities between animals and fungi that it is difficult to create medicines for people that can treat fungal diseases without harming the human body.  At the same time, we can borrow antibiotics from fungi and benefit from them -- far more effectively in some cases than we would from regular medication.  This is just an aside, though – it might save the world later but please ignore for now as we’re moving on.

Fungi belong to the soil and participate as part of it.  Paul Stamets describes them as the ‘soil magicians’, responsible for creating highly fertile, loamy humus by recycling dead plant matter and making it available again to the soil.  A single mycelium can even transfer nutrients from one part of a forest to another, thus benefiting different species of tree in distant locations.  It can secrete chemicals that crumble rock and help add this ingredient to the soil.  It doesn’t need light to grow but can use radiation as a source of energy in a manner similar to plants’ use of sunlight.  It can store carbon dioxide, a greenhouse gas; it can also break down undiluted diesel and other hydrocarbons very happily, turning this poisonous stuff into food for a new ecosystem.  And when it wants to say hello, it’s pretty determined; some fungi exert vertical forces of up to 1,200 psi – easily enough to blast through your tarmac drive and leave you groping for your Miracle Gro Patch Magic.  A mycelium even ‘knows’ what’s going on around it:
‘The mycelium is sentient, it knows that you are there,’ says Paul Stamets.  ‘When you rock across landscapes, it leaps up in the aftermath of your footsteps trying to grab debris.’

Another aside...  Have I mentioned lichens, which are actually two species – a fungus and an alga – living symbiotically as one?  Beatrix Potter of Jemima Puddleduck fame was the first to discover this, by the way.  The fungus provides structure and soaks up nutrients, the alga makes more complex compounds like fats etc.  They live together in peace until pollution comes along – the degradation of lichens is a strong indicator of bad air.

And another.  If every minuscule spore of a puffball mushroom created a new puffball over two generations, the volume would be 800 times that of the Earth (although the spores would create new mycelia rather than a new puffballs but never mind).

So, let’s have a look at some of these fungi.  Pilobolus lives in dung.  Its fruiting body (the mushroom part) is less than a centimetre high with its sporangium (spore sac) sitting on top.  This mushroom is phototropic – it turns towards the light – and when it’s ready, bang!  In its tiny way it blasts its sporangium towards the sun with such force that the stalk is crushed instantly.  This performance takes 0.25 milliseconds or one 400th of the time it takes to blink.  So 400 of the things could go off one by one and you still wouldn't know about it when you opened your eyes again.  The spores land on grass eaten by cows which pass the spores through their body and into their dung, all ready to go again.  So, any ideas why it helps Pilobolous to be phototropic? Answers in a comment at the bottom of the page!  If you know the answer, you're clever enough to do first year Biology at Berkeley (see below).

Anyway, in case you're a blinker, here it is in slow motion to music: http://www.youtube.com/watch?v=TrKJAojmB1Y

The Earth Stars are particularly elegant: http://www.youtube.com/watch?v=9iQwKYi6ytg (more so than the advert at the beginning, I’m sorry)

Here’s John Bonner with his fascination for another soil-participant: slime mould (very similar to fungi but not a single organism, rather a social cooperative of single cells).  He says the stuff is
‘no more than a bag of amoebae encased in a thin slime sheath.  Yet they manage to have various behaviours that are equal to those of animals who possess muscles and nerves with ganglia – that is, simple brains.’
Cells in slime mould can behave in ‘altruistic’ ways, sacrificing themselves for the sake of the whole.  http://www.youtube.com/watch?v=bkVhLJLG7ug

There are also videos on YouTube of slime mould solving mazes.

Extra…

Could hallucinogens in mushrooms have been the 'soma' mentioned in ancient religious texts like the Rgveda, which was used for creating altered states in which humans drew closer to their nature gods?   www.youtube.com/watch?v=32uUblJyBUE  The trippy lady is so trippy that she might make you flash back, by the way.

And finally, here are some more writings on soil:
‘The soil scientist digs a hole: He digs through thousands of years in a few feet of soil, then pauses to catch his breath. While he stands in his hole gazing out over the land, you almost remember silts and clays filtering down through impounded water, water rushing under ice, washing sands and gravels into stratified beds, glacial advance and retreat, outwash and deposition, great calves of ice spawned in the drainages. His gaze passes through time and matter. After a while, you begin to wonder about the importance of these human beings clustered around the hole, all of us looking intently in, or following his gaze out to the landscape, nodding our heads gravely in agreement.’ (Lewandowski in Lines-Kelly).
‘We should learn the art of making compost. Using that compost we will grow a lot of flowers. Don’t think that without compost you can have flowers. That is an illusion. You can have flowers only with compost. That is the insight of inter-being — look into the flower and you will see the compost. If you remove the compost that became the flower, the flower will disappear also.’ (Thich Nhat Hanh)
‘Soil is the connection to ourselves. From soil we come and to soil we return. If we are disconnected from it we are aliens adrift in a synthetic environment.  It is the soil the helps us to understand the self-limitations of life, its cycles of death and rebirth, the interdependence of all species. To be at home with the soil is truly the only way to be at home with ourselves, and therefore the only way we can be at peace with the environment and all of the earth species that are part of it. It is, literally, the common ground on which we all stand.’ (Fred Kirschenmann in Lines-Kelly)
‘Soil appeals to my senses. I like to dig in it and work it with my hands. I enjoy doing the soil texture field test with my fingers or kneading a clay soil, which is a short step from ceramics or sculpture. Soil has a pleasant smell. I like to sit on bare, sun-drenched ground and take in the fragrance of soil’ (Hans Jenny in Lines-Kelly)
Selected sources:
Thanks…

…to Sunniva T for pointing me in the direction of soil (i.e. straight downwards)
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www.waysofloving.com

7 October 2012

Week 41: 'Movement ... leaves a trace of our desires.'

Wonder spawned in: 1971
Wondered into being by: David and Anna Marie Holmes
Wonderspan: 10 minutes
To experience this wonder at its best: Make sure you can hear the sound and click the 'full screen' icon, switch up the resolution to 480p.

We interrupt this programme for an urgent moment of slowness:
I love this as a way of loving the human body as a sort of living river, wrapped around another in a dance.

Norman Mclaren has made a few slow-motion 'studies' of dance on the Canadian Film Board site.

Extra...

But if you like your dance to snap, here's Carmen Amaya from 1944:
Susana Robledo says that 'flamenco is basically a sense of life'; thanks to Claire L for proposing it for a Monday wonder.  Claire proposes the following dance by Eva Yerbabuena, especially for 'the moment of rhythmic ecstasy' from 6:00 to 6:42:
And there's also this, from Canada again, by Louise Archambaut, just for the short bit from 2:37:
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www.waysofloving.com

1 October 2012

Week 40: 'Listen to what is underground.'

Wonder spawned in: Not so long ago.
Wondered into being by: Some of the people.
Wonderspan: about 5 minutes.
To experience this wonder at its best: For the films, make sure you can hear the sound and click 'full screen'.

How do you love your own society, in practice?  Last week we were sharing in the stories of soldiers and their families, who were struggling in their own ways with how to reconcile their wish to protect the life of their societies and the inhuman realities of war.  This week, we are still with people who feel some sense of social purpose, but one that could not be more different.  Today's wonder is about how people can make something magical out of an otherwise dull place using nothing but themselves and a bit of creativity

Pick one!

Supermarkets - why do they make them so ugly, boring, overlit, so so so SO the same, and spend so much money doing so?  Mystery.  Well, they need bombing!  That's where Dizraeli comes in, where 'to bomb' is graffitti slang meaning to use your art to reclaim a place for yourself/people.  It turns out that Tesco is a musical instrument waiting to be played:
Jim Power turns lampposts into mosaics in New York - simple, beautiful, for everyone:

The Situationists are an interesting bunch.  They noticed that the spaces we occupy tend to determine how we behave, which usually means how to conform.  They said, 'Hang on a minute, why are we letting our surroundings tell us how to behave?'  Society is a 'spectacle', they said - it's basically pushing a fake reality onto us.  By reading their 'situation' and trying 'forbidden' behaviours, they found a powerful new way of critiquing and challenging an oppressive status quo.  The following Situationist-inspired performance art will give you a flavour.  It's a radio ballet, which is an ensemble performance choreographed in real-time using invitations to perform certain actions broadcast through personal radio sets.  Usually, anyone can join in like a flashmob.  This one is in Leipzig organised by the Ligna group in 2008:
You might like to try something similar at lunch today.  You're walking down the street, perhaps, and just stop for a minute and look at the sky.  As the Ligna radio stream says, 'Lingering makes situations uncontrollable'.

Robert Montgomery says he 'works in a poetic and melancholic post-Situationist tradition'.  His main thing is taking billboards normally used for.... yaaaaawwwwnn... advertising and making them work for something more beautiful.  For example...
The Open Council is runs alongside the real Council in Newcastle promoting experimental policies for the city.  Among these are manhole dancing, public bonsai, orange charming and, my favourite, bin spreading, which is exactly that - spreading bins about.
This film of a huge elaborate flashmob in Moscow caught the eye of Akila, who suggested it for www.waysofloving.com - this is wild:
Hernando Guanlao turned his house into a library with no lending rules - if you want the book, keep it.  It's all free and people bring him so many books he's run out of room:
And here's - oh, look, it's me - outside the perfectly sterile 'Chimes' Shopping Centre in Uxbridge.  I don't know why it's called Chimes - it doesn't have anything as beautiful as a bell and it doesn't chime with anything (marketing men from London with Armani specs name all the provincial shopping centres, I guess).  Anyway, by laying a line of local conkers and beech nuts across the entrance I'm trying to manifest an ecological threshold in the same place as the shopping centre's threshold.  The police didn't like this at all but they let me carry on because it was a peaceful protest, although the shopping centre security staff... well, you could say they went bonkers about the conkers and paid scorn to the acorn(s), and can guess how they felt about the beech nuts.
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www.waysofloving.com

23 September 2012

Week 39: 'He did something remarkable.'

Wonder spawned in: 2005/2007.
Wondered into being by: The people.
Wonderspan: 6 and 11 minutes. 
To experience this wonder at its best: Make sure you can hear the sound and click 'full screen'.

This Monday's way of loving is at times confusing and disturbing.  We are wondering at how people find a way to stand up for their own humanity in the face of war, from the point of view of those who fight in it and their families.

It is a set of issues that divides the nation - probably every nation.  To put it too simply, the purpose of the soldier, at best, is to protect life, and for this they gain the admiration and honour of others.  The way the soldier does they job, at worst, is by killing people -- bad people, good people, whomever they have been ordered to attack -- and for this the soldier is sometimes villified.  As General Michael Rose put it, '...no other group in society is required either to kill other human beings, or expressly sacrifice themselves for the nation.'

War can be worst of all for civilians, but war gets to soldiers too, who are typically wracked with fear and unknowing as they enter battle.  First-hand accounts often describe the intensity of the experience, in which all a soldier has ever known and cared about is compressed into every moment he or she remains gratefully alive and unharmed.  At the same time, often the same account will tell of horrific things the soldier has done to soldiers on the other side of battle, and to civilians.  And the horrors mutiply when war's chaos breaks free from the feeble rules that have been invented to contain it, as when US forces systematically tortured civilians at Abu Ghraib in Iraq and British soldiers severely beat a group of innocent Iraqi civilians, killing one.

In war, there is too much reality and, as T S Eliot said, humankind cannot bear very much of that.  We civilians have no frame of reference to make sense of it or, perhaps, there is ultimately no sense to make.  We tell ourselves a convenient story about the people who fight in war - the best story we can manage with the litle time we devote to it.  One easy way out is to make soldiers into 'our heroes', which is an epithet civilians throw around like cheap paint but soldiers themselves use rather more sparingly for extraordinary deeds of valour.  Or we hate the soldier for his violence; a civilian who met an injured Vietnam Vet waiting to cross a road, told him it had served him right, while Donovan's song, Universal Soldier, tells us its eponymous soldier 'really is to blame' for all of history's wars.

Along this fault line we the people seem to be divided, with strong feelings on all sides.

Certainly, there are soldiers who have been heroic, by anyone's standard, and others who have been barbaric.  There are soldiers, as well as sailors and airmen and -women, who have been both.  I've never been in war, but from what soldiers have said to me and written, it seems that they remain pretty ordinarily human most of the time.  They care about other people as well and as badly as the rest of us do.  They ponder the rights and wrongs of war as deeply and as superficially as the rest of us do.  Beneath the layers of their training, which is really a form of conditioning, they hate to kill people as much or as little as the rest of us would.  Whether they act well or badly, the truth of who they are as human beings is pressed out of them by the life-and-death moments of war.  And most soldiers would tell you that war changes who you are - it can make you stronger, although it also harms pretty much everyone who is ever involved in it.

I wanted www.waysofloving.com to include stories of how people have found ways to stand up for their humanity in the face of war, when they are themselves the instruments of war.  Today's entry, then, is based on two stories of soldiers doing exactly this, albeit in completely different - sometimes confusingly different - ways.  Both stories are touched by some propaganda in how others (not the soldiers) have presented them but it's still possible to look past this, I think, to the stories themselves.

First, a US Army officer and lifelong evangelical Christian, tells his story as an interrogator at the notorious Abu Ghraib prison in Iraq, when a meeting with a self-confessed violent jihadi led him to make a  courageous choice.  'I grew up hearing stories about the nobility of service...'
Two mothers tell the story of how their lads, on the same British Army patrol in Afghanistan, were caught in an ambush.  Sam, aged just 18, was shot in the head; Ben, 26, saved Sam's life while himself in fear of being killed as Taliban insurgents bore down upon their platoon.  The two women talk frankly about what their boys went through and what this has meant for their families.  'It was the last operation of their tour...'
Some people think some wars are justified, others think no war can ever be 'right'.  Whichever of these views may be yours, perhaps you'll nonetheless agree with Ken Lukowiak, who pointed out in his memoir of the Falklands War, A Soldier's Song, that if political leaders had to fight their own wars, they would rapidly find a way to talk about peace.

Extra...

Three more accounts from the Soldiers of Conscience documentary:
The Infantry is by far the most dangerous corps to be in in Afghanistan, with several times the average fatality rate for the Army as a whole.  The Infantry also takes the youngest recruits.  Rifleman Cyrus Thatcher was 19 when he was killed in an explosion in June 2009.  He wrote a letter to his family to be delivered in the event of his death, which was later printed in The Independent with his family's permission.  'Hello mum, this is going to be hard for you to read ...'
Lukowiak's A Soldier's Song is one of many superb first-hand accounts - written by someone who'd never written anything before.

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www.waysofloving.com

16 September 2012

Week 38: ‘[T]he courage to plunge, wholeheartedly, into a world complex beyond our illusions of comprehension.’

Wonder spawned in: 1786.
Wondered into being by: An apothecary's family in Exeter.
Wonderspan: 3 minutes.

Today, for about £1,000 you can buy a round-the-world airline ticket and call yourself a backpacker who circumnavigated the globe.  Have you ever wondered who was the very first lone, globe-trotting traveller, before aeroplanes and ‘independent travel’ travel agents?

The answer is almost certainly James Holman, who lived in the early part of the 19th Century.  At that time no-one travelled long distances alone.  If people left Britain at all, it was to settle in another country, not go for a holiday.  Or it was for work – in the navy, perhaps, to the Americas, or on a tea clipper to China or India.  People who travelled abroad with return tickets were usually on the Queen’s business; they stayed within the Empire and could afford to be pretty comfortable, thanks to what a few imperial pennies could buy in a subjugated land.  No-one travelled entirely independently, without any protection into hostile lands, into Siberia or the Australian outback, or other kinds of then-untouched wilderness, travelling as a peasant would, hitch-hiking in carts and leaning on the goodwill of the people he met, all the way around the world, but James Holman was not no-one, and he did.

That an individual would travel in this manner and over such large distances would be remarkable even now, but to do so in the early 1800s was an historical achievement.  More remarkable still – indeed truly extraordinary by any standard then or now – is that James Holman, history’s first long-distance lone explorer, was completely blind.  The scale of his achievement is matched only by his baffling obscurity: hardly anyone has ever heard of him.

Thanks to the writer Jason Roberts, something of Holman’s astonishing life is relived in a superb page-turner of a biography, A Sense of the World.  Every page of the book contains a new, ‘No, surely not’ achievement of Holman's.  He learnt to ride a horse by using the clip-clop of horses’ hooves for echolocation, as a bat does.  He climbed Mount Vesuvius’ during its eruption in 1821, reaching the very edge of the erupting crater while the settling hot ash burned the end of the stick that he was using to navigate the slopes.  He traversed Russia, reaching the east of Siberia, and almost died of frostbite there on the back of a cart the hostile authorities used to deport him.  He invented a blind person’s writing machine so he could record everything he encountered and in his lifetime he wrote thousands of pages of text.  He became the world’s leading expert in the flora and fauna of the Indian Ocean, which knowledge Charles Darwin went on to use for The Origin of Species.  Holman, Jason Roberts shows, was feverishly excited about what the world had to reveal; his
‘adventures were neither acts of machismo nor self-aggrandizing stunts – they were, as he put it, a means “to enter into the business of life … communion with the world and its multiplying delights.”’


By his biographer’s estimation, James Holman clocked up a quarter of a million miles of independent travel in his lifetime and contacted over 200 separate cultures on every continent.  Roberts tries hopelessly to give his readers some sense of the scale of the achievement:
‘Alone, sightless, with no prior command of native languages and with only a wisp of funds, he had forged a path equivalent to that to wandering to the moon.’
The loss of any one of our senses is a heavy loss indeed, but Holman’s life was filled with the wonder of existence and all its abundance and diversity.  In this vein, Roberts quotes a paragraph that Holman wrote towards the end of his life using the writing device he invented:
‘On the summit of the precipice, and in the heart of the green woods … there was an intelligence in the winds of the hills, and in the solemn stillness of the buried foliage, that could not be mistaken.  It entered into my heart, and I could have wept, not that I did not see, but that I could not portray all that I felt.’
That, dear wonder-lovers, might be among the most beautiful paragraph of text ever written.  When I heard Jason Roberts read this passage on Radio 4’s Excess Baggage, I went out immediately to buy the book.  Please do the same and read this beautiful, compassionate and thrilling biography: Jason Roberts (2006) A Sense of the World: How a blind man became history’s greatest traveller (London: Simon & Schuster)  (Link goes to Housman’s Online Bookshop, an ethical mail order alternative to bad-egg Amazon.  http://www.shop.housmans.com/BookItem.aspx?item=9780743468053 )

The Holmans of today…

Holman learnt to navigate by tapping his cane and listening to the quality of its echo, which is now called echolocation.  The technique is practised by a growing number of blind people, who typically use their palate to make a high-frequency ‘clicking’ sound from their mouth.  To an attentive and skilled listener, a click’s echo carries information about the nature of surrounding objects, such as their size, shape and movement, and also tells the listener what kind of space they are in.  Just as voices in wood-panelled rooms sound different from the same voices echoing off brick walls, so a proficient echolocator can add an extra dimension to their perception by discerning surface textures.

Human echolocation uses the brain’s visual cortex, which both blind and sighted people use to imagine (i.e. create the experience of) being within a three-dimensional space.  So it’s not surprising, although it is startling, that blind echolocators feel that they can ‘see’ the world around them each time they hear their click’s echo.  When combined with ambient sounds, familiarity, and other intuitive techniques like contextual recognition and dead reckoning, an accomplished echolocator can build up an increasingly detailed ‘image’ of their surroundings and move around freely.

Daniel Kish, a highly skilled echolocator, teaches echolocation from scratch; he even takes young blind people on mountain bike rides through the forest, each with a piece of ticker-ticker-ticker plastic running over the spokes of the front wheel.  Ben Underwood, who lost his eyes to cancer as a toddler, used echolocation to roller-blade, skateboard, and play football, before he died from a recurrence of the disease at 16.  Lucas Murray was just seven years old when the BBC filmed him playing basketball in his Dorset back garden: http://news.bbc.co.uk/1/hi/england/hampshire/8291720.stm

The emergence of the blind community as a social force in its own right is still recent in Britain.  Their journey -- first for recognition, then for equal rights, a political voice, and a place of belonging among society's diversity -- is not yet done.  The struggle reveals a peculiarly human passion to be, and in this, Holman's determination lives on.  None of us can fully sense and know the world -- what we think we know is always but a torn-off corner of what Nature knows -- but Jason Roberts predicts that 'there will always be people who must summon the courage to plunge, wholeheartedly, into a world complex beyond our illusions of comprehension.'  A question is, can those of us with all our senses intact also learn to do the same?

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www.waysofloving.com

9 September 2012

Week 37: 'Yes, I made that'

Wonder spawned in: 2052.
Wondered into being by: The people.
Wonderspan: Less than 10 minutes. 
To experience this wonder at its best: Make sure you can hear the sound and click 'full screen'.

Today we celebrate the triumph of the bicycle over the motorcar.  You might remember the motorcar as a squat metal and glass box with four wheels - it smelled plasticky on the inside and outside it coughed carcinogenic petrochemical particulates and other chemical nasties 2,000 times a minute, which were bemoaned by mothers of asthmatic kids and responsible in large part for the climate crisis that eventually led to the mass recycling of all motorcars thanks to the sudden and unexpected mass-damascene conversions of first Holland, then France, then Canada, and eventually all the peoples of the world until the very last, haggard but ultimately gratefully carless penitent, whose name you almost certainly won't remember now, but for the record it was the famous author, male role-model, self-styled comedian, noisy lover and go-faster acolyte of road rage, Jeremy Clarkson.  You can find full details of Jeremy's conversion on Wikipedia under 'Bicycle'.

It all began way back in 1997 when one person became suddenly and unaccountably sane.  It was an  ordinary morning when she put on her favourite summer dress, took a flower from her garden and careened around the town using said flora to smash the windows of parked cars, as shown in this archive film from Pipilotti Rist.  It brought such joy to her and all around her that everyone joined in, even the police.

The Museum from the Future picks up the story, explaining in this mash-up of now-ancient footage of early car-licking and the later mass car walk-out of 2018, how the car began to dominate our lives and make us really really fat, and how we confronted this outsized trinket before it destroyed us all horribly with blood and stuff'.  And it came to pass that all over the world, cars were brought from far and wide to create henges in roads and fields so that we could one day remember the momentous change that society was undergoing and to say ta for that.

After 2018, it was discovered that one melted-down car could make sixty-seven point three bicycles although nothing could be done with the fabric seat covers, which were dumped in a huge landfill in Buckinghamshire marked 'Keep Out - Smelly and plasticky' and even though it was fabric, scientists say it won't degrade until June 3723 at the earliest.  Roads were turned over to pedestrians and cyclists, life was less noisy, people said hello and everyone wondered how they had ever managed before.

Making bicycles became a pursuit of true love; odd-bod bicycle-makers who laboured in obscurity for years were now social heroes, and people began to admire how things were made and the care things needed to keep them right, and they liked something more if it could only be done slowly, and they started saying 'If it's not for love, it's not worth doing' and 'If it's made with love, you can ride it with love' and 'If it's for love, it's for me' and things generally like that, as this early bicycle-making film shows:
'It's taking your pride in your work.  At the end of the day you've made something that people appreciate, sometimes love, and you can stand and look at it and think, "Yes, I made that."'

It wasn't long before we were making a whole load of other stuff out of old bicycles, like washing machines, for example, so we didn't need electricity so much, or to buy new stuff, and that was good because it stopped the planet from burning up, which it had been doing pretty badly for a while.  And the handful who whined and said cars were a little bit more fun than bikes and the M6 traffic jam on a Friday night in the rain wasn't that bad at all, never did this.

Thanks to Sunniva T and Will McC for some of the links for today's Monday wonder.  You can see all the Monday wonders on a map here: http://www.tinyurl.com/mondaywonders
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www.waysofloving.com

2 September 2012

Week 36: 'I am in the joy business. I come out here to be with the people.'

Wonder spawned in: 2000s
Wondered into being by: Mostly anonymous folk
Wonderspan: Less than 10 minutes unless you want mooooore. 
To experience this wonder at its best: Make sure you can hear the sound and click 'full screen'.

This Monday's wonder is a travelling concert of street music - a whistlestop whizz around the spontaneous sounds of the world's towns and cities.  We're lolling under lampposts, perched outside cafes, larging it up in shopping malls and and going daft in city parks.  Street music is the original pop-up wotsit and it's still the coolest, simplest, cheapest and most joyful - brought into the centre of our societies from the people who live, in one way or another, at its fringes.  You're going to have a good Monday today.  Begin your carbon-neutral world trip by picking a link at random (the first one's my favouritest):
  • Travelling one-man band Ryan Baer is in mellow soulful, late summer mood at Waterloo Farmers' and Crafters' Market Cooperative in Waterloo, Ontario. His bucket's got a hole in it - we've all been there: www.youtube.com/watch?v=EwV5OgV2_Ik
  • We're Playing for Change again; Roger Ridley kicks us off in Santa Monica, California: https://vimeo.com/24790207    The video notes say that Roger was asked: with a voice as powerful as his, why was he singing on the streets? He replied, 'I am in the joy business. I come out here to be with the people.'
  • Dub FX (probably not the name his mum gave him) turns an Amsterdam street into a cathedral and fills it with sound while giving us a loopstation lesson in the process:  http://www.youtube.com/watch?v=bioYs6oAD8g (Thanks to Sarah G for suggesting this one)
  • In Jaisalmer, India, this musician really belts out his song on his kamaicha - one of the world's most ancient bowed instruments.  He seems to enjoy every word; I'd like to think it's a love song and that he sings it to remember some love he's glad to have known: www.youtube.com/watch?v=mv_7sULmnm0
Phew, dizzy.  So, what have I missed?  Latin America, East Asia and the whole of Africa, for starters... Leave a comment to share your own...

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www.waysofloving.com

26 August 2012

Week 35: 'Wooooooooooahh!'

Wonder spawned in: 1930s and 2000s
Wondered into being by: Skye, Naomi, Ginger, Fred, Nicholas Brothers, and Finland
Wonderspan: Less than 10 minutes. 
To experience this wonder at its best: Make sure you can hear the sound and click 'full screen'.

In 1920s and 1930s New York, an African American family struggling to pay the bills would organise a party for their neighbourhood.  Everyone from the street would drop a small entrance fee into a pot to help with the rent.  They would crowd into the apartment, enjoy a big meal and dance for the rest of the night.  In the morning the world outside still regarded African Americans as subhuman – nothing on that level had changed – but for one night the community created its own freedom.

Their dance developed into the lindy hop, an exuberant, earthy partnered dance that Europeans like me are learning today to the same Harlem jazz.  London’s smart-shirted office workers pitch up at the dance class, at first stiff-limbed and clumsy.  Those who get that this is a dance about freedom rather than getting the steps right become more fluid and creative, progressively released from the invisible straitjacket that sitting in front of a screen all day has put their bodies into.  Once the social dancing kicks in after the class the room becomes a pulsing mass of bodies improvising to the music.  In a small way the dance returns us to what matters most: those joys and passions that are real.

Here are some of the best lindy hoppers in the world, along with some of the old-timers who still inspire them.  The holy grail of lindy hop - well, maybe of everything - is to experience, with another, something effortlessly joyful. Just pick any one at random for your Monday morning way of loving...
  • http://www.youtube.com/watch?v=mxPgplMujzQ  Ginger Rogers and Fred Astaire dance themselves happy in one of those films where the dancing is so good and the dialogue is so bad that you're just waiting for everyone to stop talking and start dancing again.
If there are any lindy hoppers out there who think I've missed a better clip, leave a comment and share the love.
Extra…

Before lindy hop swept across Europe in the 1980s and 1990s, we did it like this:
or sometimes even like this:
(sorry, Finland)

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www.waysofloving.com

19 August 2012

Week 34: 'What is is that unsettles us?'

Wonderdate: 1970
Wondered into being by: Evolution (and/or something else), Frederic Rossif and others.
Wonderspan: 10 min
To experience this wonder at its best: Click on the full screen icon and make sure you can hear the sound.

This week we look at three different ways of answering wonder.  Do we marvel at it, try to explain it, or just allow it to unsettle us?  There's a clip for each one.  They're all wonderful, I think, but if you only have ten minutes, skip to the last one.

I - 'The marvel of existence that is us.'

So we've just had the Olympics - the greatest show on Earth.  Or is it?  What, to you, could be described as the greatest show in the world?  Could it be this?
It seems to me that the wonder that Alexander Tsarias feels is such that he wants to resist an explanation for it.  Perhaps to explain is to explain away, and while we might think an explanation can comprehend a wonder, it might just be a way of swerving around it.  Perhaps Alexander Tsairias, doesn't entirely trust a scientific explanation to take full weight of his wondering experience, which is too rich for him to discount the possibility of the miraculous.

II - 'Nature, unaided by a designer, could produce an organ of seemingly miraculous complexity.'

But then some are keener to push science and see what kinds of explanations it can cough up.  Let's not be naive, they say - yes, nature is full of wonder but it's not magic.  Once you break down its complex processes into their many parts its wonder-full complexity can be comprehended without recourse to 'divinity' and 'miracles'.  For example:
III - 'What is it that unsettles us?'

The way of wondering I most want you to see today is of another kind altogether.  In the 1970s, Frederic Rossif worked with the musician Vangelis to create a series of documentaries about the natural world.  These films are full of a kind of wonder that just isn't safe - either to marvel at euphorically or to explain coolly.  They inspire awe, and so their main effect on a domesticated consciousness (and as human beings we all have one of those) is to unsettle it.  In the face of such awe, the rational mind does not become wrong, it just loses its purchase; scientific explanations are possible but seem trivial in the face of the too-much-reality of the experience.  At the same time, it seems feeble merely to marvel at nature's awe, as if it were enough to say, 'How wonderful it all is!' as we might when calmly observing it from a distance.  (I think this is what we do when watching the tamer BBC Natural History Unit productions which, to put it bluntly, dumb down the killing).  The willingness to marvel and the will to explain are ways of responding to an experience we know what to do with - they belong to the realm of the expected.  I think what Rossif manages to convey in his rough film is something altogether wrong-footing: call it the wild.  To experience the wild is to feel drawn towards it and become afraid of it in equal measure.  This primal mix of curiosity and fear is a response to what we were not expecting; it is a visceral experience which both warns us not to get too close and yet also stops us from taking flight.  Witnessing nature in this way, we might actually feel we are in it or, even scarier, that we are it.

Here are the first ten minutes of L'Apocalypse Des Animaux.  It's all in French!  It works without the narration but if you can understand it, the text is extremely beautiful (and unsettling).  Early on, we are shown a fossilised fish skeleton:
‘And what is it that unsettles us, in discovering the fragile destiny of this fish, its demise written in stone 170,000,000 years before?’
 Unfortunately the full documentary isn't online.

Extra...

More Rossif:
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www.waysofloving.com

12 August 2012

Week 33: 'A child said What is the grass?'

Wonder spawned: Today!
Wondered into being by: You, with help from Walt Whitman.
Wonderspan: 2 min reading + 8 min writing
To experience this wonder at its best: Don't make plans for lunch today just yet.

This Monday's morning wonder is dedicated to Jonathan B, who turns 40 today and can still meet the world with the spark of a wonderstruck child.

The lawns, playing fields and parks reek of green this week as they get a haircut from the council's mowers.  Today's way of loving will be made by you, wonder-lovers.  This is your mission, should you choose to accept it.
'A child said What is the grass? fetching it to me with full hands'
So reads a line of Walt Whitman's long poem, Leaves of Grass.  Your mission is to spend about 10 minutes this lunchtime answering this child laden with grass and a question.  So, what is the grass?  Walt Whitman begins his own answer by suggesting that grass might be:
'...the flag of my disposition, out of hopeful green stuff woven'
Grass is a flag waving in the breeze, lain out across a hillside perhaps, or between two council blocks with a duet of council tractors do-si-do-ing across it.  In a moment of Whitman's imagination, hope looks and smells like grass.

If you’re game for this, spend a few minutes jotting down five metaphors for grass and include them in a comment (anonymously if you like) at the foot of this blog entry.  I will do this too – even if no-one else does!  In any case, if you have nothing much planned for lunch, why not give it a go?  It's just a few minutes from the day, after all.  Even if you spend the first five minutes doing nothing, which can feel like a lot of just sitting still, you'll probably spend the other five surprising yourself.

(Stuck?  I suggest you don't try to be poetical - that way lies anguish and despair!  Just try to notice the qualities of grass - the way it looks, smells, grows, the way it's lots of little spiky bits up-close and a large smooth expanse from a distance.  Then think about what else from life has that same quality... That's what grass 'is'.)

Here's the excerpt from Walt Whitman's Leaves of Grass, 1855 (first edition):

A child said What is the grass? fetching it to me with full hands;
  How could I answer the child? . . . . I do not know what it is any more than he.

  I guess it must be the flag of my disposition, out of hopeful green
      stuff woven.

  Or I guess it is the handkerchief of the Lord,
  A scented gift and remembrancer designedly dropt,
  Bearing the owner's name someway in the corners, that we may see
      and remark, and say Whose?

  Or I guess the grass is itself a child . . . . the produced babe of the vegetation.

  Or I guess it is a uniform hieroglyphic,
  And it means, Sprouting alike in broad zones and narrow zones,
  Growing among black folks as among white,
  Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
      receive them the same.

  And now it seems to me the beautiful uncut hair of graves.

  Tenderly will I use you curling grass,
  It may be you transpire from the breasts of young men,
  It may be if I had known them I would have loved them,
  It may be you are from old people, or from offspring taken soon out
      of their mothers' laps,
  And here you are the mothers' laps.

  This grass is very dark to be from the white heads of old mothers,
  Darker than the colorless beards of old men,
  Dark to come from under the faint red roofs of mouths.

  O I perceive after all so many uttering tongues,
  And I perceive they do not come from the roofs of mouths for nothing.

With thanks to Julia Casterton for getting her poetry group (my very first class) to try this out.  Julia had been ill for some time and died just a few months after the class.  She was a superb teacher and helped many people including me to start their journey in poetry.

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www.waysofloving.com

5 August 2012

Week 32: 'Can we just get the gym shoes out of the way first?'

Wonder spawned in: 1870s
Wondered into being by: A plimsoll and the people
Wonderspan: 5 min.

I have no film for you this week but I do have this:
That's that, see you next week!

Ah, you want to know what it is?

Ok, so a little context for this week’s way of loving would be helpful.  Let’s start with your shoes.  Did you wear gym shoes for PE at school?  The ones with the narrow strip of rubber around the edge and a canvas upper?  If you’re posh you might have called them pumps (in Stratford-upon-Avon they’re definitely pumps even when your dad is a window cleaner) and if you’re Scottish you might know them as sannies, for 'sand shoes'.  Or did you call them plimsoles?  If you did, you’ll know what a sole is, and that makes sense because shoes have soles, but what’s a plim?

Come in out of the rain, gather round, make yourself comfortable and feel the warmth.  Together we’re going to put this stubborn mystery to rest but not until the end.  First, let's get back to that painted symbol.

If you already know where and what the symbol is then you get five points, you win (but no-one likes a smart arse, as I know from experience).

If you don't know what it is then have another look at it.  You’ll see that there are some thickly painted planks of wood and at the bottom there is some metal showing.  Now do you know what it is?  Four points if you do.

Still stuck?  The surface is vertical – the wood is higher up the surface than the metal, which is actually copper alloy.  Three points?

No?  Those planks form the side of something and are painted with waterproof tar-pitch.  Two points if you know now where and what the symbol is now.

Deary me.  Alright!  It's on a boat!  But what is it?  Just shout out if you know and claim one point, otherwise please don’t feel too bad, zero is a cool number.

*   *   *

The symbol is a ship's load line, also called a Plimsoll Line.  This particular one is on the pre-whoops-it's-on-fire Cutty Sark but it’s now found on every ship in the world.  The horizontal line should always be visible, otherwise the ship is deemed to be overloaded.  The circle is there to make the mark easy to spot when looking at the hull.  L R stands for Lloyds Register.  The F and R are more obscure; F stands for Freshwater and W stands for Winter.  These initials have to do with the variable buoyancy of ships according to the salinity and temperature of the water they're in.

[geeky fact begins] Sailing ships like the Cutty Sark are only required to have F and W but modern cargo vessels have a few more letters and extra horizontal lines to show the different levels of buoyancy allowed; they stand for things like tropical, North Atlantic, winter, summer, seawater, freshwater and so on. [geeky fact ends])

Before the Plimsoll Line was instituted in the late 19th century there was no regulation at all, in any country, setting the maximum load of a ship.  In the 1850s and 1860s, ships that were clapped-out and overloaded were sinking far too easily.

The problem was that many owners were happy to let their ships go down.  Rather than repairing or breaking up unseaworthy vessels, owners would keeping working them but insure them for more than their real value, so in some cases they could be worth just as much sunk as afloat.  These were the so-called coffin ships, overloaded to the gunwales and sent off around the world.  If the ship arrived then its owner made a much greater profit than had the ship been sensibly loaded.  If the ship sank, then they cashed in the insurance.  Either way, it was a win for the owner and it was quite normal for some of them to work a ship until it sank in this way.  The lost crew were poor folk and, as everyone knows, in the eyes of some rich folk, poor folk are replaceable because no-one knows their names.

My dad – an old Merchant Navy sea dog who once took cargo ships through the Panama Canal – first pointed out to me the Plimsoll Line on the side of a ship and asked me what it was.  I got nought points.  He explained what it was for.  Most of everything else I know about it, I know from Nicolette Jones, who wrote a highly acclaimed book about the coffin ships and the campaign to stop them.  She cites a report of the British Board of Trade in 1871, which said that in just one year, 856 ships sank within 10 miles of the coast in winds no stronger than a stiff breeze.

Seamen were afraid of crewing the coffin ships but it was illegal for a sailor to refuse to sail.  Even so, many men preferred three months in prison than likely death by drowning.   With sailors refusing to crew, it became so difficult to find replacements that, in one case, a coffin ship was crewed entirely by boys under 17 years of age; she went down and they all died.

These unscrupulous ship-owners were surely at fault, but they were also incentivised by the free market system to overload and over-insure their ships.  If they did not, another company could easily undercut them and that could put their business at risk.  It wasn’t easy for them to do the right thing even if they wanted to, although Nicolette Jones says many did resist the temptation to overload.

Parliament, whose natural state as we all know is one of inertia, was nonetheless becoming more aware of the coffin ships, mostly thanks to one of the first successful campaigns combining public agitation with democratic representation.  Many ship-owners were also MPs, however, and while some were honourable, others did whatever they could to stop any progressive legislation.  They argued that the state should not interfere with the right of business owners to govern their own affairs.

I wonder, wonder-lovers, whether any of this sounds familiar to you.  The owners of coffin ships were hedging their bets on the ship arriving or sinking so that they would win both ways.  Similarly, hedge funds of today bet both ways on the stock market, so they can be invested in the failure and success of a business at the same time; if the firm does well, the hedge fund wins; if the ship sinks, the fund still wins.  The people who stood to profit from the coffin ships, as well as government and parliament of the time, were the ruling class, while the working class took all the risks.  You can see the same demographic divide today, for example between in the government, which decides whether or not to go to war, and the soldiers who have to fight.  The free market, combined with a lack of shipping law in the 19th century, incentivised competitive greed; it was difficult then, as now, for a business to put ethics first because the economic system would punish them for it.  And people in power today, just as then, argue they have a sovereign right to govern their own affairs as they see fit; when the state intervenes it is seen as a ‘nanny’.

The corrupt ship-owners didn’t win, though.  Samuel Plimsoll MP led the campaign over many years to make shipping safer for crews.  He wrote a book to marshal the arguments and toured the country speaking to maritime communities, many of whose loved ones had been sent to the bottom of the ocean in the coffin ships.  He agitated in parliament with passionate rhetoric; at one time he worked up such a righteous rage that he was escorted out of the chamber.  (Oh, for an MP who would do that now!)  It was Plimsoll who argued for a symbol on the side of every hull to mark a ship’s maximum load, but ship-owners said that would be too complicated. 

Nonetheless Plimsoll was a stubborn and cantankerous chap.  Change was many years coming but he had the people on his side, and after he began to create political waves, The Times joined his campaign.  Largely thanks to Plimsoll's oratory and determination, rising public anger persuaded MPs that their seats could be at risk if they didn’t back the campaign.  Eventually, the government amended the Merchant Shipping Act in order to require all ships to display Plimsoll's load line.

It is perhaps not surprising that Plimsoll was an amateur inventor.  The symbol he designed is minimalistically simple.  No fancier markings are needed to do the job, whereas any less would be insufficient.  For all the modern gadgetry on modern shipping, the Plimsoll Line is still the universally agreed, standard means to know a ship’s maximum and current load

But, you wonder, what about the footwear?  Well, we call gym shoes plimsoles because we think the name has something to do with feet, but it doesn't.  The canvas-and-rubber shoes were originally called plimsolls, so named by a rubber merchant who invented them.  Samuel Plimsoll’s indefatigable campaign had earned him such a public profile that he was known in every household as the sailor’s friend, so most people knew about the simple hull mark he devised to save thousands of lives at sea.  When the shoe-maker made a pair of shoes which would get your feet wet if they were plunged into a puddle that was anything other than very shallow, he knew exactly what to call them.

Extra...

Nicolette Jones talking to the British Library about her book:

Reference: Nicolette Jones: The Plimsoll Sensation

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www.waysofloving.com